Hi, time again for a bit of Blogging!

Today, Thursday October 25^th, at Hedsor we have, for the third week running, something approaching the regular Clive Burton Quintet. Mike and Clive together on the front line together with piano, bass and drums. Now I think the piano will be Nigel Fox, the drummer Martin Hart, and this week, if my memory isn’t failing, John Monney on bass.

Talking of bass players, Ken is well enough now to have left Portland, he returned home last Friday, and yesterday flew off on a much postponed holiday with Sue to Malta. He tells me that he will be back playing for us on a Thursday on November 8^th. This just also happens to be Simon Spillett next visit to us. Ken tells me he is already in practice for this gig!! (Hands up all those who shouted “Oleo”!).

It was good to see a nice crowd at Hedsor last week, it does help pay the way. Keep it up, and tell your friends (and relatives) because they may like to come as well. It’s not only good jazz that is on offer, but good fun company as well. And you can do it all on a miserly budget. £6 gets you in and gives you a raffle ticket. Beat that Ronnie Scott’s! All the fun and excitement kicks off at 8.30pm. The bar is open from around 7 pm.

As is well known, the kind of music played at Hedsor is Modern Jazz. As I explained to my barber (as in hair cutting!), that is “modern” as in 1950!! I started listening to recorded jazz about then too, but usually it was more of what became know as “trad” jazz, and in those days there was great rivalry between “modern” jazz fans and “trad” jazz fans, with very little cross over. It surprised us all when Bertie King, a modern jazz saxophonist, played a session with the Chris Barber Band! After all, Chris Barber, together with Acker Bilk and Kenny Ball, sort of founded the British traditional jazz genre of jazz. About the same time Bruce Turner joined the “revivalist” band of Humphrey Lyttelton, and banners were displayed in Birmingham Town Hall telling the “Dirty Bopper” to go home!! Bruce had previously played with Freddie Randall’s Dixieland Band, but had also studied under Lee Konitz, a very modern jazz saxophonist, in 1950.

My jazz journey led me from the revivalist jazz of the 1950’s, to the modern jazz of today as distilled to us a the Hedsor Social Club. There were many stops and detours in between. This last week I have been catching up on one of those detours.

Chris Barbers band came to be known as his “Jazz and Blues” Band, and as such toured East Germany a number of times. This week I inherited (literally) a recording of Barber and his Jazz and Blues Band recorded live in East Berlin in 1968. I think we all tend to forget how innovative the Barber Band became. From “Petite Fleur” in the mid 50’s to “Battersea Rain Dance” and “Revival” in 1968, both represented on this recording. The band was playing a real sweep of the music called jazz, and by 1968 had included a saxophonist (John Crocker) and a blues guitarist (John Slaughter) alongside his banjo player. The sound is exciting, swinging and wonderfully different to the standard fair of the Bilks and Balls of the time. The CD, which I completely recommend, is no longer available new, but was released on the Black Lion Label.  Other versions can be found on Ebay, including a double LP version issued in East Germany!

Another memory was conjured up in the same legacy by a recording of “Harry Strutters”. This was a band I saw at the Brecon Jazz Festival around 1990. They play dance band tunes from the 1930’s, but with a style and panache that makes for a really entertaining listen. There is also a link to Chris Barber as well, because on trombone HS has trombonist Bob Hunt, who is now in the CB band!! Other people we know are in HS, Paul Lacey on trumpet, and on a few tracks drummer Dennis Smith. It’s great fun, but again I think you will need to trawl Ebay to find copies of their work. I have a recording called “Jubilee Stomp”, (a Duke Ellington tune). Other titles are around, the one I have was very well recorded in the Porcupine Studios.

Artwork is attached to help search, for the Barber recording the artwork is of the German LP! The Black Lion one is far less colourful!